(More than…) Two Years in Torino

"Le cose belle sono lente." –Pane e Tulipani

Month: April, 2017

Cintiq review

In my last post, I promised to update either my progress on the color comps for Princess Carla of Spaniel or the new Cintiq Pro 16 (a draw-on-screen monitor).

I’ll start with the Cintiq. It’s revolutionary for me, even with its steep learning curve.

First I must list the difficulties, which are fairly well known by now to the digital art community: It has issues with Mac Sierra, with connections and drivers, and with getting the promised 4K screen resolution. For a complete list of problems and fixes, see the Wacom Reddit  board, though Wacom has its own discussion board as well.

I don’t have the Sierra problem because I never upgraded to it, preferring to preserve as much RAM as possible. I will probably have to eventually, but hopefully by then the compatibility issues will be ironed out.

I am, however, having the resolution problem. I’m stuck at 1440 resolution. I have a MacBook Retina Display, which should support 4K.  But I don’t have a USB-C port, and that’s what the Cintiq Pros are set up to use. The Wacom link, an adapter which was included in the box because Wacom knew how new USB-C ports are, doesn’t support 4K. At least not officially. Some people have been able to make it work by ordering special MiniDisplay cables, but I have had no success with that route. Wacom Reddit has more information if you’re trying to troubleshoot this issue, and meanwhile, if I am able to make mine work, I’ll post an update.

And I must say that the sleek Cintiq monitor does look rather silly with three long, bulky cables sticking out of it and sprawling all over the table, just to make it work. It looks very jury-rigged.

Those caveats aside, however, having a pen display is absolutely an enormous boost to a digital art setup.

Even at just 16″, the workspace feels much bigger than my 13″ laptop, and besides I don’t have to keep juggling apps around a tiny screen to look at reference material or watch tutorials. Now I have one maximized screen just for my artwork!

And even at 1440 resolution, I’m able to work quite well enough for a beginner.

The new pen works very well and even has an eraser on the other end. I have yet to figure out its relation to the eraser function in Photoshop, but I will discover it eventually. I have set my pen controls to display toggle (to switch quickly from the display to my computer monitor and back) and radial menu (a pop up on screen menu in which you can store your favorite shortcuts). Both of these have made the tablet much easier to use.

The first few days I was a bit disoriented because things kept popping up on the wrong monitor and I didn’t know how to toggle, but slowly I’m getting the hang of it.

And today I figured out how to make the font on the Cintiq big enough to read. The fix is not in Photoshop, but in the Mac display scaling preferences. I had been afraid to touch those because I thought it would decrease my display resolution even more, but apparently it doesn’t.

But the absolute best thing, and the reason I got this device to begin with, is that now I can draw, lasso, and use all the other precise tools included with Photoshop with the same precision I would a pencil and paper. If you’ve ever used an Intuos, the small black drawing tablet with no screen, you know what I’m talking about. It feels like you’re drawing with your non-dominant hand, or worse. I got better at drawing with it over the year that I used it, but there’s no comparison between an Intuos and a Cintiq if your drawing style is about manual dexterity.

So, now I’ve got the Cintiq setup and I’m back to working on color comps for Princess Carla of Spaniel. I’ll post an update when I’m a bit further along.

The new Cintiq Pro 16 with my first color comp for Princess Carla of Spaniel in progress. 



Spaniel drawing update

Here’s a short update on the fancy animal assignment from the last post: I’ve been working on it whenever I get a chance, and have now finished the tonal study. To do this, I scanned and combined my favorite two drawings and then worked out the values in Photoshop.

The awkward black lines in the study are drawing corrections done on an Intuos pro tablet. The point at this stage was never to have an elegant, finished drawing, but these lines are particularly rudimentary and I leave them in to emphasize that it’s really hard to draw accurately on a small tablet. But I’ve finally sprung for a Cintiq draw-on-screen monitor and it should arrive tomorrow. Yay!

Anyway, the tonal study showed me that I needed to further “flesh out” the dog’s paws, so to speak. That has been today’s work. When I used to paint oil portraits, back in the pre-digital era, I’d take a couple hundred photos and make sketches to think out various aspects of the painting. Illustration is by nature imaginary, but I still like my drawings to look correct and believable. That requires a ton of photo reference and detailed studies. Sometimes I wish I had an in home menagerie!

Another part of today’s work has been to start thinking about mother-of-the-bride’s dresses for July, but after trying on everything I own that might work, I must confess I much prefer drawing Velasquez dresses to shopping for one for myself.

Once I get the Cintiq up and running, or get to the color comps for this assignment (whichever comes first), I’ll post an update. And there are more steps to go after that. But I like the way this assignment is making me stretch.

Princess Carla of Spaniel with torsoIMG_5980