In which I buckle down and get to work

I’ve been sort of a hermit lately. Well, I did go to the Langhe wine region with friends last Sunday, and I’ve been chatting with people on the phone, and I’ve been to mass, and I’ve gone to various appointments. But in general I’ve been leading a very simple existence and using the time and headspace created to get some art done.

Scenes from the hermitage: Watching illustration tutorials while eating leftovers. The flowers are my overgrown chives. I also made pesto from my balcony basil. 

On Wednesday night I printed out over 50 pages of documents for a patronato appointment. Perhaps I can get my carta di soggiorno (long term immigration card) in time for my trip to the US in August. And unlike the permesso di soggiorno, it doesn’t have to be renewed. You have no idea how glad that makes me.

As part of the carta process, someone had to come to my apartment to make sure it was big enough for me to live in. Such an odd concept. Next I have to get a document that shows I’ve never been in jail. And then there was the three-month-long process of getting American documents officially translated and stamped by the uncommunicative Italian consulate in Miami. The carta di soggiorno has opened up new horizons in bureaucracy.

But mostly, I’m sitting at home with my new Cintiq (which I have never figured out how to get to run at 4K, by the way), lassoing my way through three iterations of Princess Carla of Spaniel. I set myself a deadline of today, which means I’ve had to let go of a good bit of perfectionism, but it does make me feel good that I have set a goal and accomplished it.

My first color comp is the scheme of the original painting. The second one was inspired by a Downton Abbey still. (I think I haven’t realized the potential of this scheme yet.) The third? Grand Budapest Hotel! I’ve discovered there’s a whole world of color study via film stills, which I’m pretty sure was part of the point of this assignment. That and learning to use the lasso and gradient tools. And I learned a third lesson as well: If you want to get something done and move on, don’t choose an iridescent Velasquez dress.

To muff or not to muff? That is the question…

There’s more to do on this project, for sure. But one thing at a time. Maybe soon I’ll even get around to posting some photos of the most famous wine region in the world outside the Loire Valley.

 

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